Vincent Van Gogh Cafe Terrace at Night Art Print Poster
| At Eternity's Gate | |
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 Theatrical release poster | |
| Directed by | Julian Schnabel |
| Written by |
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| Produced by | Jon Kilik |
| Starring |
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| Cinematography | Benoît Delhomme |
| Edited by |
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| Music by | Tatiana Lisovskaya |
| Production |
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| Distributed by |
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| Release dates |
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| Running time | 110 minutes[1] |
| Countries |
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| Languages |
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| Box part | $11.2 1000000[2] |
At Eternity's Gate is a 2018 biographical drama film virtually the final years of painter Vincent van Gogh'due south life. The film dramatizes the controversial theory put frontwards by van Gogh biographers Steven Naifeh and Gregory White Smith, in which they speculate that van Gogh's death was acquired by mischief rather than suicide.
The pic is directed and co-edited by Julian Schnabel, from a screenplay past Schnabel, Jean-Claude Carrière and Louise Kugelberg. Information technology stars Willem Dafoe equally van Gogh, Rupert Friend, Oscar Isaac, Mads Mikkelsen, Mathieu Amalric, Emmanuelle Seigner and Niels Arestrup. Chief photography took place in late 2017 over 38 days at diverse locations across French republic where van Gogh resided during his terminal years.
The film held its globe premiere at the 75th Venice International Film Festival on September 3, 2018. The moving-picture show was theatrically released in the United states on November 16, 2018, past CBS Films, earlier streaming on Netflix in France on February fifteen, 2019. It was released theatrically and through video-on-need in the United Kingdom on March 29, 2019, by Curzon Bogus Eye. The moving-picture show received more often than not positive reviews from critics; Dafoe's acting was widely acclaimed, and for his functioning, Dafoe was nominated for the Academy Honor for All-time Actor and the Golden Globe Award for All-time Role player – Motility Moving picture Drama, among others, and won the Volpi Cup for All-time Actor at the 75th Venice International Picture Festival.
Plot [edit]
Vincent van Gogh seems to ever be in creative and emotional burnout. He is occasionally enraptured by his aesthetic responses to the landscapes around Arles; he renders them in oil on canvas or in a sketch pad using his own fashion of creating his work in a single, rapid sitting. When not in the countryside, he paints inside a xanthous room in a yellow house. He begins to contemplate the fleeting nature of some subjects of still life. He besides thinks almost seasonal flowers and the artistic process which renders a permanent and eternal quality to the representation of flowers on canvas, which does not wilt and wither.
For a while, Vincent's preferred medium becomes a large sketchbook given to him by Madame Ginoux which he begins to make full with renderings of landscapes in pen and ink. He continues to ponder various philosophical and existential questions such as his desire "not to see a mural but but the eternity behind information technology", and that "at that place cannot be such a thing every bit nature without there besides existence a meaning to nature." He wishes to devote increasing fourth dimension to rendering the landscapes. A group of schoolchildren and their instructor mock Vincent and his work and he chases them abroad. The teacher and her students phone call him crazy equally they run away in fearfulness. On his walk home some boys throw rocks at him. When he chases the boys some townsmen subdue him and study him to the local psychiatric hospital. His brother Theo is chosen to Arles from Paris, who in turn convinces Paul Gauguin to agree to visit Vincent. Gauguin presently arrives in Arles.
Vincent is at start exhilarated by the presence of Gauguin, though things chop-chop sour. When Gauguin announces that he will soon depart, the news crushes Vincent. He then cuts off a piece of his ear to show Gauguin his creative allegiance to his work, only Gauguin has already departed. Vincent then gives the slice of his cutting ear to a Madame Ginoux'south barkeeper, Gaby, who is horrified and reports him to the government. He is sent by Md Ray to mental asylum in nearby Saint-Rémy-de-Provence. There, he has a conversation with a sympathetic, supervising priest about his art and the nature of God. The priest releases Vincent, who travels to Auvers-sur-Oise since the boondocks authorities in Arles deny him permission to stay.
In his concluding months, Vincent returns to cartoon and painting scenes and landscapes, now in Auvers. While painting in the courtyard of a deserted manor, ii teenagers with their hunting weapons run across him and brainstorm playing at cowboys-and-Indians. During the horsing around disrupting Vincent'south painting, a shot goes off. He is hit by the bullet, and the boys beg him non to tell anyone. The boys then bury Vincent's painting and throw their guns into a river while he returns to Auvers. Dr. Gachet is summoned and questions Vincent about the wound; Vincent states the wound is self-inflicted. Theo is called for from Paris, merely finds his brother dead upon arrival. Theo organizes an open-catafalque funeral for Vincent surrounded by his paintings.
A closing onscreen text states that Vincent died in 1890 at the age of 37 from a bullet wound xxx hours later on being shot. His completed sketchbook (a souvenir to Madame Ginoux) was not discovered until 126 years after in 2016. A mid-credits scene features a narration past Gauguin regarding Vincent'southward favorite color: yellowish.
Cast [edit]
- Willem Dafoe as Vincent van Gogh
- Rupert Friend equally Theo van Gogh
- Mads Mikkelsen as The Priest
- Mathieu Amalric equally Dr. Paul Gachet
- Emmanuelle Seigner as The Woman from Arles/Madame Ginoux
- Oscar Isaac equally Paul Gauguin
- Niels Arestrup as Madman
- Vladimir Consigny as Doctor Felix Ray
- Stella Schnabel equally Gaby
- Amira Casar equally Johanna van Gogh-Bonger
- Vincent Perez equally The Director
- Anne Consigny as Teacher
- Alexis Michalik as Artist Tambourin
- Lolita Chammah as Girl on the Road
- Didier Jarre as Asylum Guard
- Vincent Grass as Café Owner
- Louis Garrel equally Aurier's Article (vocalism)
Production [edit]
In May 2017, Schnabel announced that he would direct a moving picture about the painter Vincent van Gogh, with Willem Dafoe cast in the role. For the film, Schnabel adapts Naifeh and Smith's theory that van Gogh died through the mischief of others rather than by suicide as the premise for the screenplay of the movie. The film is dedicated to the Tunisian fashion designer Azzedine Alaïa.[3]
Writing [edit]
The film was written past Schnabel and French screenwriter Jean-Claude Carrière forth with Schnabel's life partner Louise Kugelberg.[4] [five] In regards to the story, Schnabel said:
This is a film most painting and a painter and their relationship to infinity. It is told by a painter. Information technology contains what I felt were essential moments in his life; this is not the official history – it's my version. One that I promise could make you closer to him.[six]
In 2011, authors Steven Naifeh and Gregory White Smith published a biography, Van Gogh: The Life, in which they challenged the conventional business relationship of the artist's expiry. In the book, Naifeh and Smith argue that it was unlikely for van Gogh to have killed himself, noting the upbeat disposition of the paintings he created immediately preceding his death; furthermore, in private correspondence, van Gogh described suicide equally sinful and immoral. The authors also question how van Gogh could have traveled the mile-long (about two km) distance betwixt the wheat field and the inn after sustaining the fatal stomach wound, how van Gogh could accept obtained a gun despite his well-known mental health problems, and why van Gogh'southward painting gear was never found by the police.[seven]
Naifeh and Smith developed an alternative hypothesis in which van Gogh did not commit suicide, but rather was a possible victim of accidental manslaughter or foul play.[8] Naifeh and Smith point out that the bullet entered van Gogh's abdomen at an oblique angle, not straight as might be expected from a suicide. They claim that van Gogh was acquainted with the boys who may have shot him, one of whom was in the addiction of wearing a cowboy adapt, and had gone drinking with them. Naifeh said: "And then you lot have a couple of teenagers who accept a malfunctioning gun, you have a boy who likes to play cowboy, y'all have three people probably all of whom had too much to drink." Naifeh ended that "accidental homicide" was "far more likely".[ix] The authors fence that art historian John Rewald visited Auvers in the 1930s, and recorded the version of events that is widely believed. The authors postulate that after he was fatally wounded, van Gogh welcomed death and believed the boys had done him a favour, hence his widely quoted deathbed remark: "Do not accuse anyone... it is I who wanted to kill myself."[9] Schnabel adapts Naifeh and Smith's theory for the screenplay of the moving picture.
Casting [edit]
According to Éntertainment Weekly, "Dafoe immersed himself in the creative person's life, learning to paint, reading his letters, and ultimately shooting on location in artistically recognizable landscapes".[10] Dafoe added, "You're not illustrating who y'all recollect van Gogh is; you're communing (with) his retentiveness and what he's left behind... Information technology all comes together in a swirl--a swirl of colour, a swirl of low-cal. It's non naturalistic representation. But it captures the spirit... [Van Gogh] idea fine art was a language; fine art was a way of seeing; art was a fashion of waking up."[ten]
In an article for 'W' mag, Dafoe further stated, "I painted in a movie called To Live and Dice in 50.A., just it wasn't near painting--it was more than about counterfeiting and killing people. In playing Vincent van Gogh, painting was the key to the character. I had to know what I was doing. The manager, Julian Schnabel, would say, 'Agree the brush similar a sword' and 'In that location'south no such affair equally a bad mark.' I began to think that painting is nigh making an accumulation of marks. Interim is the same: You create a graphic symbol scene by scene. Information technology'south a serial of marks that start a rhythm, and that rhythm sends yous where you need to go."[11] It was noted that Dafoe was 62 at the fourth dimension of filming, 25 years older than van Gogh when he died.
The Yellow House, Arles, 1888. The room and house where van Gogh resided in Arles has since been demolished and converted into a local park. Van Gogh Museum, Amsterdam.
Photography [edit]
The film was shot over 38 days beginning in September 2017 on location in Arles, Bouches-du-Rhône and Auvers-sur-Oise, France, all locations where van Gogh lived during his final years.[4]
Soundtrack [edit]
The soundtrack for the movie was equanimous by Tatiana Lisovskaya. The music is predominantly for solo pianoforte in a minimalist classical tone with occasional accompaniment by solo instruments and string quartet. The soundtrack contains xvi tracks and was released in 2018.[12]
Release [edit]
In May 2018, CBS Films acquired distribution rights to the movie.[13] Information technology had its world premiere at the 75th Venice International Picture Festival on September 3, 2018.[14] [15] It was as well screened at the New York Film Festival on October 12, 2018.[16] The flick was released in the United states of america on Nov 16, 2018.[17] It was released for streaming on Netflix in France, get-go on February 15, 2019.[18] The pic was released simultaneously in theaters and on-demand in the United Kingdom on March 29, 2019, by Curzon Artificial Eye.[19]
Habitation media [edit]
At Eternity's Gate was released on Digital HD on January 29, 2019 and on Blu-ray and DVD on February 12.[20] [21] Special features included an audio commentary with Julian Schnabel and Louise Kugelberg and three featurettes.
Reception [edit]
On review aggregator Rotten Tomatoes, the flick holds an approval rating of 78% based on 189 reviews, with an average rating of vii.2/ten. The website's critical consensus reads, "Led by mesmerizing work from Willem Dafoe in the central role, At Eternity's Gate intriguingly imagines Vincent Van Gogh'south troubled final days."[22] Metacritic gives the flick a weighted average score of 76 out of 100, based on 34 critics, indicating "generally favorable reviews".[23]
Manohla Dargis writing for The New York Times gave the picture a strong review stating that the film is, "a brilliant, intensely affecting portrait of Vincent van Gogh toward the end of his life, the artist walks and walks. Caput bowed, he looks like a man on a mission, though at other times he seems more like a man at prayer."[24] Adam Graham writing for the Detroit Times institute the functioning by Dafoe to be notable stating, "Dafoe adds some other masterful functioning to his resume; his work here is equally deep and every bit piercing every bit his performance in The Last Temptation of Christ more than 30 years ago."[25]
Awards and nominations [edit]
| Yr | Laurels | Category | Nominee | Result |
|---|---|---|---|---|
| 2019 | Academy Awards | Best Actor | Willem Dafoe | Nominated |
| Golden World Awards | Best Actor – Motility Movie Drama | Nominated | ||
| Critics' Option Awards | All-time Actor | Nominated | ||
| Satellite Awards | Best Actor in a Motion Motion picture, Drama | Won[26] | ||
| 2018 | Venice International Film Festival | Gold King of beasts | At Eternity's Gate | Nominated[27] [28] [29] |
| Fondazione Mimmo Rotella Award | Willem Dafoe and Julian Schnabel | Won | ||
| Green Drop Award | Won | |||
| Volpi Cup for Best Player | Willem Dafoe | Won |
References [edit]
- ^ "At Eternity's Gate". Venice International Film Festival 2018. Venice Biennale. Retrieved July 27, 2018.
- ^ "At Eternity's Gate (2018)". Box Office Mojo . Retrieved October 12, 2020.
- ^ Hirschberg, Lynn. "'At Eternity's Gate': Julian Schnabel Explains His Vincent Van Gogh Moving picture". W Mag . Retrieved January 4, 2019.
- ^ a b Thompson, Anne (May 23, 2017). "Willem Dafoe as Vincent Van Gogh in 'At Eternity's Gate': Julian Schnabel Gives Us An Exclusive Start Look". IndieWire. Penske Business Media. Retrieved July 29, 2018.
- ^ Roxborough, Scott (November 2, 2017). "AFM: SPK Pictures to Finance New Films From Julian Schnabel, Harmony Korine (Exclusive)". The Hollywood Reporter. Prometheus Global Media. Retrieved July 29, 2018.
- ^ Lodderhose, Diana (May twenty, 2017). "Willem Dafoe To Play Vincent Van Gogh In Julian Schnabel's 'At Eternity'south Gate' – Cannes". Borderline Hollywood. Penske Business Media. Retrieved July 29, 2018.
- ^ Boehm, Mike (Oct 13, 2011). "New book, '60 Minutes' question if Van Gogh really killed himself". Los Angeles Times.
- ^ New revelations on Vincent van Gogh's decease, CBSNews.com, Oct xiii, 2011
- ^ a b Gompertz, Will (October 17, 2011). "Van Gogh did not kill himself, authors claim". BBC News . Retrieved October 17, 2011.
- ^ a b Maureen Lee Lenker. Éntertainment Weekly Feb1/8, 2019. Page 56.
- ^ 'W' magazine. January 2019.
- ^ "Ate Eternity's Gate". Tatiana Lisovskaya. Release Date: November 16, 2018. Label: Filmtrax Ltd., Full Length: 1:01:32.
- ^ Lang, Brent (May 14, 2018). "Julian Schnabel's Van Gogh Drama 'At Eternity's Gate' Sells to CBS Films". Variety. Penske Business Media. Retrieved July 29, 2018.
- ^ Anderson, Ariston (July 25, 2018). "Venice Fest Lineup Includes Coens, Luca Guadagnino and Alfonso Cuaron". The Hollywood Reporter. Prometheus Global Media. Retrieved July 25, 2018.
- ^ Vivarelli, Nick (July 25, 2018). "Venice Pic Festival Lineup: Heavy on Award Hopefuls, Netflix and Star Ability". Variety. Penske Business Media. Retrieved July 25, 2018.
- ^ Fleming, Mike Jr. (Baronial 1, 2018). "New York Film Fest Closer: Julian Schnabel's'At Eternity's Gate' With Willem Dafoe As Van Gogh". Deadline Hollywood. Penske Business organisation Media. Retrieved August 1, 2018.
- ^ D'Alessandro, Anthony (August 29, 2018). "Netflix Eyes Awards-Season Theatrical Release Dates For 'Buster Scruggs', '22 July' & 'Roma'". Borderline Hollywood. Penske Business Media. Retrieved Baronial 29, 2018.
- ^ Cauhapé, Véronique (February 15, 2019). "" At Eternity's Gate " sur Netflix : Van Gogh, ou la fièvre de peindre" (in French). Le Monde. Retrieved February 19, 2019.
- ^ "At Eternity's Gate". Curzon Artificial Eye . Retrieved February xix, 2019.
- ^ Latchem, John (January 9, 2019). "'At Eternity's Gate' Due Digitally Jan. 29, on Disc Feb. 12 – Media Play News". Media Play News . Retrieved Feb 19, 2019.
- ^ Evangelista, Chris (February 5, 2019). "New Blu-ray Releases: 'The Daughter in the Spider's Web', 'Overlord', 'At Eternity's Gate', 'Valentine', 'Cobra'". /Picture show . Retrieved February 19, 2019.
- ^ "At Eternity's Gate (2018)". Rotten Tomatoes. Fandango. Retrieved October ten, 2021.
- ^ "At Eternity'due south Gate Reviews". Metacritic. CBS Interactive. Retrieved April 14, 2019.
- ^ Manohla Dargis. The New York Times. 'At Eternity's Gate' Review: An Exquisite Portrayal of van Gogh at Work. November 15, 2018. [1]
- ^ "Flick review: 'At Eternity'south Gate' shines light on van Gogh," Adam Graham, Detroit News. Nov 20, 2018. [2]
- ^ "2018 Nominees". International Press Academy. November 29, 2018. Archived from the original on November 29, 2018. Retrieved Nov 29, 2018.
- ^ "Venice Film Festival: Alfonso Cuaron's 'Roma' Wins Golden Lion (Complete Winners List)". Variety . Retrieved September ix, 2018.
- ^ "VENEZIA 75 - Il Premio Fondazione Mimmo Rotella a a Willem Dafoe e Julian Schnabel - CinemaItaliano.info". world wide web.cinemaitaliano.info . Retrieved September 4, 2018.
- ^ "Collateral Awards of the 75th Venice Film Festival". labiennale.org . Retrieved September 9, 2018.
External links [edit]
- At Eternity's Gate at IMDb
- At Eternity's Gate at Rotten Tomatoes
- At Eternity's Gate at Box Office Mojo
Source: https://en.wikipedia.org/wiki/At_Eternity%27s_Gate_%28film%29
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